Next Nik’s Analog Efex Pro plug-in was applied using only three of its filters that just popped the color: Basic Adjustments with Saturation set to 85%, Lens Vignette with amount set to -29%, and Levels and Curves with just a little RGB and Luminosity tweaking and an amount set to 67%. The layer was duplicated and made into a Smart Object before opening in Snap Art 4 (it is very helpful to use a smart object so you can go back and adjust the detail masks if needed), which achieved this beautiful painterly result using the Abstract Pastel preset – two detail masks used on the bloom where a little more Color Variation and smaller Stroke Length were used. Some localized sharpening and Trey Radcliff’s Gradient Folding Colors preset was applied before taking the it into Photoshop. In this Bird of Paradise bloom pix from my yard, a 5-image HDR was processed using HDR Soft’s Merge to 32 Bit HDR and returned as a 32 bit TIFF file in Lightroom. I am finding that I like to use this plug-in with other Photoshop plug-ins to achieve the look I like. In this case, two Detail Masks were created to add back the detail to the dog’s fur and face. To sharpen the details when using this filter, increase the Photorealism slider and decrease the Stroke Length slider. I applied a preset I created from Snap Art 3’s Factory Default preset settings – still one of my favorites that is based upon an Oil Paint effect. In Lightroom, Trey Radcliff’s Dramatically Clean Chipmunk preset was applied before opening the image into Photoshop and the Snap Art 4 plug-in. This is a great example of how subtly the plug-in can be applied, yet still get a nice painterly feel. The image above is of a beautiful golden retriever dog (similar to one I used to own) that was enjoying a nice sunny morning in Savannah, Georgia, in October. The sliders and artistic effects are all the same as version 3. CTRL+R resets the Detail Mask so you can create new ones. F5 still resets the Background to some default settings, but I am not quite sure how this is determined. Also the Background and Detail Masking Panels can be seen at the same time which is very helpful. The biggest change is that thumbnails are note created of your image showing all painting style variations in each artistic group – this makes it easy to choose a particular filter or effect for the image. To be honest, I do not see a whole lot of difference between the two versions except for the new interface, which looks more like Lightroom’s interface. It is definitely worth a second look if you love the painterly effects like I do. Since I reviewed Snap Art 3 not that long ago and since it is the holidays, I am just going to do a fairly quick update for this version. I was excited to hear the plug-in was being updated to version 4. (See my Digital Lady Syd Reviews Alien Skin Snap Art 3 blog). Alien Skin’s Snap Art 3 has definitely been one of my favorite Photoshop plug-ins for doing this – not only for its ease of use, but also because it gives some great results quickly. Happy New Year to everyone! Hope you have a wonderful year ahead and create some really spectacular images from your photos! Recently I have gotten interested in adding a painterly feel to my photos. DIGITAL LADY SYD REVIEWS ALIEN SKIN SNAP ART 4
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